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L’article “L’iris blanc” : le 40ème album d’Astérix, signé Fabcaro et Didier Conrad est apparu en premier sur Radio Télévision Caraïbes.

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L’article “L’iris blanc” : le 40ème album d’Astérix, signé Fabcaro et Didier Conrad est apparu en premier sur Radio Télévision Caraïbes.

In July 2023, the first in-person, regional convention of Jehovah’s Witnesses in history was conducted in the Jamaican Creole, also known as Jamaican Patois. Some 2,000 people attended the convention, eager to enjoy the “Exercise Patience” theme in their native language.
Many Patois Speakers
While the official language of Jamaica is English, most island residents also speak Jamaican Patois, and there is a move in the country to replace English with Patois as the official language. The convention, which was attended by individuals who traveled from the United Kingdom and the United States, was held at the Marlie Technology Park in Old Harbor, Jamaica, on July 14-16, 2023. Jamaican Creole-speaking members greeted the convention attendees with a sign that read, “Welcome!” in the language.

Thrilled to Speak Jamaican Patois
The Jehovah’s Witnesses from Jamaica said they were “thrilled” to experience the convention in their native language for the first time. According to Sister Tenesha Gordon, when the convention program began and the greetings were spoked in Jamaican Creole, “tears came to my eyes.” The attendees sang songs and enjoyed fellowship in what many of them called the “language of their heart.”
Patois Accepted By Witnesses
A debate continues over the acceptability of Jamaican Patois as a language, but Jehovah’s Witnesses rely on Revelation 14:6, which states that the good news should be declared “…to every nation and tribe and tongue and people.” A Remote Translation Office (RTO) was created in 2016 to meet the need for literature in Jamaican Creole. The office is staffed with volunteers who translate from English to Jamaican Creole the publications used by the Witnesses in their congregation meetings and public ministry.
Jamaican Patois Congregations
The first Jamaican Creole Congregation was created in 2019, and there are now 29 such congregations and two groups organized in two circuits in Jamaica. At these gatherings, the sermon is delivered in Jamaican Creole, and those in attendance communicate in the Jamaican language. There are also 13 congregations and two groups in the United States, one in Canada, one in England, and a group in Curacao, which carry out their worship entirely in Jamaican Creole. The National Spokesman for Jamaica, Peter Scudamore, noted the truly historic occurrence for Jamaica’s Jehovah’s Witnesses as it was testimony that the congregation’s efforts to reach groups who speak an unofficial language have succeeded.
“Exercise Patience” was The Theme
The theme of the three-day 2023 convention was “Exercise Patience!” The program discussed how the exercise of patience can help with reaching goals, improve relationships with friends and family, and aid when asking God for help. A featured drama entitled “Commit Your Way to Jehovah” was presented as well. It focused on what happens when good people must confront difficulties that threaten their peace, livelihood, and life. It tells the story of how a family handles the challenges and learns to be patient in waiting on Jehovah.
Photo – Deposit Photos
The post Jamaican Jehovah Witnesses Host First International Conference in Patois appeared first on Jamaicans.com.

Seven years ago, the talented Jamaican-born artist, Gavin Jordan, was deeply entrenched in the corporate world, thriving as a certified public accountant. Despite a fondness for art, particularly sketching during his high school years, Gavin never took it up seriously, mainly due to a lack of exposure to the professional art scene and fellow artists. He chose the conventional and secure path, studying accounting and economics. He further earned a master’s degree in financial management and became a certified public accountant (CPA). While Gavin has gained relative success in the corporate role during his career, he always felt something was missing.

Today, Gavin is an active member of the Black Artists and Designers Guild and the Cultural Council for Palm Beach County. He wholeheartedly embraced the world of art, drawing inspiration from the splendors of nature, the kaleidoscope of human emotions, and the nuanced intricacies of everyday existence. His artistic focus often revolves around the human form, brought to vivid three-dimensional life through his creative use of industrial screws.
We had a brief conversation with Gavin Jordan about his artistic journey.
It’s clear your art is all about uncovering beauty in everyday moments. Could you share a specific memory or experience that really sparked this mission for you?
My mission to uncover the beauty in everyday moments was profoundly inspired by Chimamanda Ngozi Adichie’s enlightening talk on ‘The Dangers of a Single Story.’ Growing up, I found myself immersed in a diverse and dynamic environment. Yet, it was disheartening to witness how often the richness and complexity of the human experience could be distilled into a singular, stereotypical narrative. Adichie’s words struck a chord in me as she articulated the peril of reducing individuals, communities, and cultures to a single, often oversimplified, narrative.
I realized that art could be a powerful medium to challenge these preconceived notions and expose the true depth of our shared humanity. It sparked a deep desire to explore and depict the often overlooked aspects of life, those ordinary yet profound moments that, when given proper attention, reveal extraordinary stories. Much like Adichie’s call to embrace multiple narratives, my art aims to peel back the layers of preconception, inviting viewers to see the beauty and complexity in everyday existence. It’s a continuous mission to dismantle the limitations of the single story through the brushstrokes and colors of my art.
The use of industrial screws in your art is such a unique touch. What inspired you to bring this three-dimensional aspect into your work?
The fusion of industrial screws into my art finds its roots in a captivating duality between my professional training and my creative aspirations. I bring a unique blend of skills and sensibilities to my work. As a trained accountant and a certified CPA, I’ve long been accustomed to thinking in linear, analytical terms. However, my innate creativity yearned for expression in more imaginative, non-linear dimensions.
This intriguing marriage of my structured, methodical mindset with my unbridled creative spirit forms the foundation of my artistic approach. The incorporation of industrial screws is a reflection of this intricate interplay. It symbolizes the convergence of my rational, calculated side with my vivid, imaginative essence.
My admiration for art that transcends traditional boundaries propelled me to create works that resonate on multiple sensory and visual levels. I was driven to craft artwork that not only entices the eyes and senses but also beckons touch, inviting viewers to explore depth in a tangible way. By introducing industrial screws into my pieces, I successfully bridge the chasm between two and three dimensions, inviting viewers to journey through art that’s both visually and sensorially compelling. This tactile dimension, manifested through screws and textures, adds layers of engagement and narrative to my creations.
Switching gears from a successful corporate path to a full-time artist must have been quite a journey. Can you tell us about that “aha” moment that made you want to dive headfirst into your passion for art?
Certainly, this journey is powered by that relentless urge to continuously create and explore. As I maintain a delicate balance between my corporate career and my artistic endeavors, it’s this “aha” moment that keeps me moving forward. The act of transforming my thoughts, emotions, and experiences into art isn’t just a casual pastime; it’s intrinsically woven into my very existence.
I’m well aware that achieving a seamless coexistence between my corporate career and my creative pursuits is an ongoing endeavor. Nevertheless, each brushstroke, every artwork, and every moment of exploration bring me closer to a future where artistic expression could take the forefront. The transition is a work in progress, and it’s fueled by an insatiable drive to continue on this remarkable path.
Your process of capturing everyday scenes and memories and transforming them into these vibrant artworks is fascinating. Can you walk us through how that transformation happens?
It starts with my keen observation of the world around me. I immerse myself in the details, colors, and emotions of the moment. This initial stage is where I capture the essence of what I want to convey in my art.
Next comes the process of internalization. I reflect on the emotional resonance of the scene or memory, considering the feelings it evokes within me. This introspective phase is where I dive deep into the heart of the moment and try to understand what makes it special.
With the essence of the experience clarified in my mind, I begin to translate it onto the canvas. This is the moment of artistic expression, where I choose the colors and composition that will best convey the emotions and memories I’m trying to capture. I will often do a mini painting of the piece I am working on to test my color choices and composition. My creative process often combines modern impressionism, pointillism, and perceptual art to create a rich tapestry of visual storytelling.
The final result is a vibrant artwork that serves as a visual manifestation of my interpretation of the everyday scene or memory and a representation of the emotions it evoked within me.

Tell us more about your association with the Black Artists and Designers Guild and the Cultural Council for Palm Beach County.
The organizations provide me with a vibrant community of like-minded creatives. This community aspect is invaluable. It’s a place for shared inspiration, mutual support, and an exchange of diverse perspectives.
The dialogues and collaborations that emerge from these connections have profound implications for my art. They encourage me to delve into cultural and social themes with greater depth and authenticity. As an artist, I see my work not only as a form of personal expression but as a means to engage with broader societal issues. These affiliations facilitate this connection with my audience, helping me reach individuals who resonate with my art’s themes and messages. In essence, they’re an integral part of my creative journey, enriching my work with new dimensions and influences.
And what’s the big vision behind 24 Marie Fine Art Gallery?
The big vision behind 24 Marie Fine Art Gallery centers around championing Black contemporary art and providing much-needed exposure for Black artists. Our mission is to create a dynamic and inclusive space where art serves as a catalyst for dialogue, cultural enrichment, and community engagement. We aim to serve as a bridge between emerging and established Black artists, connecting them with diverse audiences while fostering an environment of collaboration and learning.
In terms of its impact on the local arts scene, 24 Marie Fine Art Gallery aspires to be a transformative force. By focusing on Black contemporary art and underrepresented voices, we aim to enrich the local artistic landscape with diverse perspectives. Our commitment to diversity and inclusion reflects in our exhibitions and programs, creating a vibrant, informed, and reflective local art community. We believe that art has the power to inspire, educate, and bridge cultural gaps, and our gallery strives to be a driving force in promoting positive change in the local arts scene with a specific emphasis on Black contemporary art.
Exhibiting in notable venues and events must have its share of memorable moments. Is there one event or exhibition that stands out as a game-changer in your career?
Absolutely, one of the most remarkable milestones in my artistic journey was my very first solo show, “Moments in Time.” This event marked a turning point in my career, and its significance cannot be overstated.
With “Moments in Time,” I had the opportunity to curate and present a body of work that encapsulated my artistic evolution. The show was not just a display of art but a narrative, a story told through each piece, capturing various facets of life and the human experience. It allowed me to express my innermost thoughts, emotions, and observations, all through the canvas.
What made this event a game-changer was the realization that my art could communicate with people on a profound level. It was incredibly gratifying to witness the impact of my work on the audience—how they connected with the stories I was telling, the moments I was freezing in time, and the emotions I was conveying. “Moments in Time” solidified my belief in the power of art as a universal language,
It wasn’t just a solo show; it was a testament to my creative journey and a powerful stepping stone toward a future where my art could reach and touch the hearts of a broader audience, which remains one of my core aspirations as an artist.
Aside from your art, you also enjoy listening to books on Audible. Which book are you reading now?
At the moment, I’m fully engrossed in two captivating books. “Oversubscribed” by Daniel Priestley provides a unique perspective on marketing and business growth, offering valuable insights into creating high demand for products and services.
Simultaneously, I’m exploring “Turning Pro” by Steven Pressfield. This book delves into the transformational journey of an artist or creative as they evolve from amateur to professional status. It touches on the concept of overcoming resistance, a notion that resonates deeply with my artistic endeavors.
Both of these books are enriching my understanding of marketing, personal growth, and the artist’s mindset, offering fresh perspectives that continue to inspire my journey.

For those just discovering your work, what’s a piece of advice or insight you’d offer to help them really connect with the depth and emotion in your art?
For those who are just beginning to explore my work, I’d offer this piece of advice: take your time. My art is a journey through emotions, stories, and depth, much of which may not be immediately apparent at first glance. I encourage you to engage with each piece, to let your eyes wander and your thoughts wander further. Find the stories between the brushstrokes, the emotions beneath the colors, and the depth within the details. My art is an invitation to explore, to connect on a personal level, and to discover the unique narratives within each piece. Embrace the journey, and you’ll uncover the profound beauty and meaning in my creations.
Anything exciting in the pipeline? Any upcoming projects or themes that have you really pumped?
“Hoping for Today’s Tomorrow” is a theme that resonates deeply with the spirit of our time. It’s a reflection on the experiences of those who have left their homelands, often seeking a better future, and the complex tapestry of emotions and aspirations that come with such journeys. This theme embodies the hopes, dreams, and resilience of individuals who have migrated to new horizons, driven by the promise of a brighter tomorrow.
I’m excited to present this theme at Spectrum Miami Art Fair, where I believe it will engage viewers in thoughtful reflection and encourage conversations about the human connection and the common aspirations that bind us all. This exhibition is an opportunity to not only appreciate the art but also to consider the broader social and cultural implications of migration and the idea that, collectively, we are all hoping for a brighter “tomorrow.”
View Gavin Jordan captivating artworks on his website.
You can also follow him on Instagram and Facebook.
Photo – Gavin Jordan
The post How Did This Jamaican Accountant Achieve A Thriving Art Career in America? appeared first on Jamaicans.com.

Isanella@newsroom.gy
Renowned Guyanese singer and musician, Eddy Grant met with the talented young artist, Ransford Simon, at Trans Guyana’s Ogle Office on Wednesday.
The meeting was held for Grant to sign his name on an aircraft painted with a portrait of himself by Simon.
Simon has been entrusted with the task of painting several Trans Guyana aircraft tails using his artistic skills.
He said it was an honour to paint Grant’s portrait.
“I am really honoured to be sitting right next to a living legend. I always wanted to do a mural of somebody like Eddy Grant, we were always thinking of a wall somewhere in Plaisance but then something happened and we were like we should definitely do this on a plane,” Simon said.
The young indigenous artist proudly said he is setting the bar for other artists and pointed out that this was the first time a mural of someone had been painted on an aircraft in Guyana. He hopes to inspire other musicians and artists with this achievement.
Simon also expressed his admiration for Grant.
Eddy Grant signing his name on the painting of himself (Photo: News Room/ October 25, 2023)“Thanks for being an inspiration. I’ve always liked your music and I was telling you in the car that one of my favourite songs is ‘Boys in the street,” Simon told Grant.
With great pride, Grant promotes his birth country wherever his music take him, having just been inducted into the London “Music Walk of Fame.”
He was deeply touched and honored on Wednesday to see his portrait featured on Trans Guyana aircraft, which travel across the entire country.
Grant said that having his face on a Trans Guyana plane felt “so natural”, noting that in the future, other young talented Guyanese would share the same honour.
Renowned Guyanese singer and musician, Eddy Grant and talented young artist, Ransford Simon (Photo: News Room/ October 25, 2023)In a show of unwavering patriotism, Grant said, “Guyana is the greatest country in the world because we don’t need validation from anyone else. We possess far more than just gold, diamonds, and oil; we have got great people.”
Reflecting on the initial unveiling of the painting earlier this year, Grant said he was shocked as he acknowledged the wealth of talent in the country.
“I was really shocked when I saw that, there is lots of talent here, it is just about opportunity and capacity, he [Simon] had the capacity and Trans Guyana give him the opportunity.”

high-profile election case, Darshan Ramdhani is set to address the court on the advice he received from the Chancellor of Judiciary (ag) Yonette Cummings regarding the possibility of appointing a special magistrate or court to adjudicate the case.
Ramdhani, part of the prosecution team representing the State, was expected to present his feedback to Magistrate Leron Daly, who presides over the case at the Georgetown Magistrates’ Court.
During the last hearing earlier this month, Ramdhani requested the consolidation of all cases into one, as the underlying evidence is sourced from the same origin.
Acknowledging the complexity and potential duration of presenting the evidence, Ramdhani proposed a solution: dedicating a magistrate exclusively to this case to expedite proceedings.
Magistrate Daly expressed doubts about accommodating this request, fearing an overburdening of the court.
Queens Counsel and lead prosecutor Darshan RamdhaniTo resolve the issue conclusively, Ramdhani announced his intention to write to the Chancellor of Judiciary (ag) and the Chief Magistrate, urging them to identify a special court for the case.
However, on Wednesday, Ramdhani said the letter was dispatched to the Chancellor and he is yet to receive feedback.
He further explained that he reached out to the Chancellor’s assistant, who confirmed that the letter is currently on the Chancellor’s desk awaiting her perusal.
“I can’t say nothing beyond that,” Ramdhani said, as he informed the Magistrate that the ball is ultimately in her court since they can either go ahead with the trial or await the Chancellor’s feedback.
Magistrate Daly told Ramdhani that there are 24 charges before the courts currently for the defendants for three different offences which carries an extensive amount of evidence and statements. If the court is to proceed with trial, the Magistrate warned that the evidence needs to be “sorted out.”
“It is not fair to the court to go down searching in boxes looking for statements… There must be some order,” Magistrate Daly told Ramdhani, who said that he will provide the court with the “greatest of assistance.”
The defendants’ attorney, Nigel Hughes, expressed concerns and told the court that the Chancellor does not have jurisdiction to intervene in the matter at this stage.
Another attorney accused Ramdhani of stalling the case to buy more time. However, Ramdhami set the record straight that the prosecution is ready to start their case.
It is alleged that the defendants conspired during the March 2, 2020, general and regional elections to defraud the electors of Guyana by declaring a false account of votes cast.
Those accused include former APNU+AFC government minister, Volda Lawrence; former GECOM Returning Officer for District Four, Clairmont Mingo; former GECOM Deputy Chief Election Officer, Roxanne Myers; APNU+AFC’s Chief Scrutineer, Carol Smith Joseph and former GECOM Chief Elections Officer, Keith Lowenfield, among others.





Minister of Education, Priya Manickchand (right) and the headmistress, Rowena Seymour (Photo: Ministry of Education/October 25, 2023)
“We are going to send you programmes and bring programmes here, now that we have everybody back on campus that will make you rounded students.
“Not just academically strong but also rounded, able to take on issues when you get out there in the world. Able to participate in this new thriving Guyana,” Manickchand said.
The new wing of the school (Photo: News Room/October 25, 2023)With the ministry providing the necessary resources so children can learn in a comfortable environment, Manickchand urged teachers to ensure that the necessary values are instilled in every student.
According to the headmistress of the school, Rowena Seymour, a decision was taken to build the new block in June 2022. Prior to this, some students were forced to attend school on a rotation basis.
“Grade Seven students reported for two days while Grade Eight students reported for three days. Parents were frustrated with this system but were pleased when the teachers used the blended teachers approach to reach the students. Teachers also used worksheets to assist with covering topics during missed days,” Seymour said.
The project to construct the modern two-storey concrete structure was executed by Singh and Son’s Construction.